by Drew Martin
I just watched an interesting documentary called Troublemakers: The Story of Land Art, which brings one closer to the earthworks of the artists who started the movement including Michael Heizer, Walter De Maria, and Robert Smithson. The film was a treat for me because I have not been out to the desert to experience their grandest works, which I have only seen in photographs. The documentary offers great views of Heizer's Double Negative, De Maria's The Lightning Field, and Smithson's Spiral Jetty, and it surveys the land art movement with interviews and anecdotes about the artists who left the New York gallery scene behind in order to redefine what modern art could be.